A lot of people in the comments say that the supposedly better examples in the article are still “horrible” because they can tell they’re AI and point to things that the AI did “wrong” and a human artist would do better.
That may be true if you’re working with a top of the line artist, but in my experience the average freelance designer online is significantly worse than AI. I’ve worked with dozens of budget friendly designers on Fiverr and consistently get way worse results than I’ve gotten from AI models. Will a great human designer produce better output than an AI? Maybe, but a small local event or business probably won’t have the budget to hire them or know where to find them. It’s cheaper, faster and easier to use AI to generate something that’s good enough for their purposes.
People also point out all the little flaws in the “good” examples and cite them as obvious tells that they were AI generated. I think it would be interesting to see if people could reliably distinguish between AI generated flyers and human made flyers. Sure, sometimes it’s obvious like when the AI adds those weird, cartoony people. But if the model is told not to create designs like that and stick to the styles used in the second half of the article, I expect people would have a much harder time distinguishing the human designs from the AI designs.
I've worked with some of the top designers in the world. I don't think that AI will beat them (for now), but the examples in his sample page[0] beat the junk that I've seen a lot of non-top-designers do.
As he states, he isn't trying to make stuff that doesn't "look like AI did it," he just wants to introduce variety, and has proposed a disciplined way to do that.
The biggest problem that I have with most AI posters is that they are too busy, you have to look for information instead of seeing it popping right away.
Amateurs posters of before AI didn't have this problem. White background, the important info in big letters, maybe one clipart or to. So I'm not talking about how pro artists could make a better job, but even the small local non-profit used to produce better posters. Not in the sense of "better looking", but in the sense that they were more readable.
At least the examples of this blog are more readable than what we usually see.
Well what's better ? I have so many pictures of posters of old events or storefronts saved on my phone because they were so astronomically bad it'd have been better to not have any poster at all. Today's AI makes it look even worse but I'm hopeful that in five years we'll all live in a world generally more agreeable to look at and not "concrete with pink and yellow fluo paper smashed on top of it" like https://www.alamy.com/stock-photo/music-poster-wall.html
or
https://www.alamy.com/stock-photo/france-poster-wall.html?ps...
because the cost of making things enjoyable with more colour and detail will have come down. Maybe we can finally go back to Art Nouveau if the cost of making it comes down!
There's an amazing viral twitter thread where someone claimed a real Monet painting was an AI generated imitation, and it got an avalanche of comments from people who claimed it was an obvious fake and a poor imitation at that.
It's not tracking a real thing as much as people would like to think.
This is exactly the problem. Most of the time when people criticise the output of genAI, what they’re actually commenting on is the ethics of AI rather than the output of it. And they then attempt to use the demonstration as a proof of their point rather than forming an unbiased opinion of the output based on its own merit.
Now I’m not saying there isn’t legitimate criticisms that can be made about the ethics of AI, I’m highly concerned about the problems that AI brings too. But that’s a separate argument entirely.
It’s a little like people who are pompous about expensive wine, whisky’s, etc and then fail blind taste tests (plenty of studies there too).
In my world view, the phrase "People are stupid" explains almost everything. Very few people are actually able to think for themselves. The vast majority are basically just sheep, they think whatever the media, their colleagues, friends etc tell them to think. They don't fact check, they don't think critically, they can't understand a well reasoned argument, they basically just believe things based on how much they like whoever said it. They won't accept evidence that disproves those beliefs.
They don't care about the truth, it's all just about being part of the right herd.
Not to mention that I can also tell when a poster has been generated using Photoshop and not real artist tools, like brushes and pens. I've seen a lot of these Photoshop-generated posters, and they are in no way comparable to something DaVinci or Picasso would create.
Wouldn't say that, there is a huge shift in art style between what we got before Photoshop and what we got after. Just look at book covers in the 1970/80s and book covers in the 1990/2000s. The old stuff was full of custom illustrations, while the new stuff is often just copy&paste of generic stock images or some rather hideous early 3D renderings. Even the bad covers of the 80s (see /r/badscificovers/) still have some personality to them that is lacking in a lot of more modern ones.
It's not that you can't create good art with any tool, it's just that the economy and expectations change with the tools available, and the tools being faster/cheaper doesn't translate into better art.
If the AI makes a “better” poster that everyone hates because it’s AI, and a person makes a “worse” poster that everyone likes because it’s human, isn’t the business better off with the “worse” poster?
I think the issue there is that, in the absence of the AI poster, people will still dislike the "worse" poster.
Since this is idealogical, a business owner's choices are:
* use AI and some people hate it on principle,
don't use AI and don't pay enough and some people hate it because it looks cheap,
don't use Ai and pay a bunch more and people don't hate it...maybe, depending on style and skill of the artist.
As a business owner, it's not an encouraging situation.
AI thumbnails outperform human thumbnails on YouTube by a lot, I've seen click-through rate spreads of 4%+ (~5% -> ~9% in AB tests). Yet people will do drive by comments trying to excoriate creators for using AI thumbnails. It's really quite ridiculous.
A lot of any real gain will be due to novelty, and that will wane once you've been doing it a short time (or once other people in your field are doing it so you all go back to looking the same).
I suspect a lot of the gain isn't even that useful to the channel: it being people clicking to complain. You might not see that mean actual complaints because many will see the existing ones and either just upvote them or move on without doing anything (their chance to repeat their regular comment to get a few upvotes having been taken by someone already having said it).
Novelty is a significant driving factor here. Gen Thumbnails are eye catching because they are new and viewers haven’t adapted to skimming over them like they do with everything else.
Thumbnails, same as everything that is supposed to attract attention, have styles that change over time due to saturation and fatigue.
Do those rates hold across multiple videos over a period of time? I've seen at least one case where someone did an A/B test of an AI thumbnail and the reason his engagement went up because everyone hated it and was commenting to say as much.
The blog also mentions, several times, that it wasn't the goal to be indistinguishable.
I think it's actually a feature when people can recognize it as AI.
Why would someone want it to be unrecognizable as AI? What is the reason people want to hide AI usage ? (other than when "cheating" in studies or examns or such, obv)
Because there is a big anti-AI movement and some people will think you're destroying the planet and putting people out of a job if you make one prompt to a chatbot.
Maybe if there were fewer people foaming at the mouth to enrich themselves while destroying the planet, and putting people out of work, there would be less pushback.
AI generated visuals are becoming a signal of A) low-effort, B) and/or unwillingness or inability to spend resources to genuinely present your product or brand.
Both of these communicate that I will probably not get a good value for my money when buying your product or service.
> Why would someone want it to be unrecognizable as AI? What is the reason people want to hide it
Because a lot of “everyday” folks really strongly dislike AI. I’ve lost count of the number of AI generated Instagram ads I’ve seen where the comments are filled with “AI slop!”.
It’s not a positive signal for anyone who wants to persuade someone of the value of whatever they’re advertising because it’s associated with being cheap and lazy.
I think "a lot" is very subjective. I can also say "a lot of people really like AI-generated arts" and that would be true as well. HN is a place where a lot of normally objective, informed, and probably very nice folks in the real life come to engage in endless of debates that go nowhere.
> Half of U.S. adults say the increased use of AI in daily life makes them feel more concerned than excited, according to a June 2025 survey. Just 10% say they are more excited than concerned. Another 38% say they are equally concerned and excited.
> About half of Americans said in the June survey that AI will worsen people’s ability to think creatively and form meaningful relationships with others. Far fewer said AI will make these things better.
“about half” surely objectively qualifies as “a lot”.
> I can also say "a lot of people really like AI-generated arts" and that would be true as well.
Yes but without the corresponding negative. If someone who likes AI generated art sees some human created art they don’t think “gross, why didn’t they use AI to do that?”. So for something like advertising using AI will alienate some potential customers. Not using AI will alienate no one.
Maybe they see the random AI art on the bus and they realize that meant a real human artist probably didn't get paid to make it so society is worse off. Maybe those poll respondents have empathy, in that they are worried about their jobs and feel bad for other people who have lost work to AI too
To me if you ask to a 10 years old kid and give him a PC with Microsoft Paint on it it will you will have a much better result than any AI-generated option in the post. If there are graphics designer that produce a worse result of what AI creates, it's because they probably use AI as well.
The problem of AI generated stuff (we see the problem of manifests, but I'm a software engineer and with computer programs it's exactly the same thing) is that they immediately look non-human, and our brain trained itself to detect, and thus get irritated by, AI generated content.
It looks fake, it hurts to see, it seems fine at first glance fine but it's not, everyone seems identical because the AI is not, despite of the name, creative, it just a hyper complex copy/paste machine, and obviously the result just looks copy/paste as well.
> To me if you ask to a 10 years old kid and give him a PC with Microsoft Paint on it it will you will have a much better result than any AI-generated option in the post.
FWIW, statements like this are so patently ridiculous that it actually hurts your cause.
This is provably false. AI YouTube thumbnails trounce human thumbnails (often nearly doubling the click-through rate according to A/B testing), and people rate AI art more highly than human art on average when they don't know that it's AI.
Just admit that you are scared of the future that's coming and it's eliciting irrational hatred, and that's causing you to lash out. At least that'd be honest and we'd understand where your coming from even if we didn't share your views.
Not engaging with your second argument, it's just trollbait. But for your first argument, there is a big difference between info graphics trying to convey information and video thumbnails trying to trigger a click
A lot of posters or arts in general are to be seen once and never again. If you put pre-AI arts together in an exhibition like at the top of the article are you sure it wouldn't irritate people?
I walk past countless of such arts everyday, none of them registered after even 15 mins. Maybe you have better taste, but don't try to project your opinion as that of the majority.
This is my experience as well. I run a bootstrapped business, so we don't have a ton of backing. We can't afford the top design firms, and Fable can do better than those within our budget. So it's not that we prefer AI over human designers; we just don't have the money!
You have the money, you just don't have the contacts or skills to find a good designer which charges you a fair price. Big design firms will rip you off. Their job is to get corruption contracts from the public sector or big enterprises, and then reward their insider later with a nice fake job.
Saying you don't have the money for a designer is a bit like saying you can't go on business trip because the company can't afford to purchase a jet airplane right now.
This technology is super new and I've only seen AI posters really proliferate in the past few months and suddenly... people don't know how to live without it?
I was the person who "had to bother dealing with it" many years ago before we had AI, Canva, or even Adobe cloud.
I volunteered and designed a good amount of posters for student organizations.
Don't enjoy it but did it to help my peers and friends out.
I find it ironic that back then we had a lot of trouble finding people who were willing to design posters and promo media on print.
Now the comment section on this post has people mourning AI taking over poster making in 2026. Where was the help back then?
From the perspective of someone who had to burn the midnight oil to do it for years, trust me, I would rather not do it and spend that time with my family and friends. And judging from how hard it was to find others who were willing to do it, I think its a reasonable argument that most people were not actually willing to do the work either.
So mourn away but I wouldn't cry if I "missed out" on making posters. If we had AI back then, I would not take on any of those poster making requests.
One of my best memories from an art class in high school was that a student organization came into our class and asked if any of us would be willing to design a poster. I ended up designing and silk-screening their poster for them and it was a fantastic experience.
I can totally see how doing more than a couple would start to feel like work, but having one or two experiences like that was awesome.
For every human good art that is cheap I can show you ten that are not. The problem is you don't know which version you'd get. Someone charges less because they are unknown. Fixing AI art is much less hassle than human one.
Because people assume u need to actually hire someone to make art. Just let your kid draw something for your small restaurant. It's more pleasant to look at for people who didn't yet sell their soul to AI.
You don't have ANY money? Plenty of students would do a great job for a little money and a professional reference. Now you just helped the workforce, helped the local economy and cost you little.
Have you ever tried doing that? In my experience, art students don't like to work for "little money" and "professional reference" and stablished artists don't like when you try to pay "little money" to students.
The alternatives are not horrible, but look like I’m being lured to a Spring Fair by an alien. It makes no sense to associate with Japanese imagery or 90s computer graphics for an event that has nothing to with these topics. Design is a language and these speak gibberish.
To me, they look very much like Canva style designs. Some pre-existing design template that someone took and then smooshed their own dates and information into.
>Maybe, but a small local event or business probably won’t have the budget to hire them or know where to find them.
This is funny to read given I am currently on a Japan trip with 3 friends and we actively avoid every small restaurant that have AI generated images of their food.
Using AI generated bullshit just shows that you really dont want to put in the work to produce something actually charming.
Hell, we've seen a food menu drawn by a toddler and it was infinitely more sympathetic than all the AI generated Wagyu images.
I was in Japan in Spring, I didn't notice any AI-generated ads/menus (not implying you're lying, just curious if it's become a trend since then, or if it's a particular area).
But I recall this simple looking promotion: https://imgur.com/a/fbM8Akb . The photo looks professionally done, and not AI. Then again, maybe they googled for "cheesecake photo".
I just image searched for "cheesecake", I didn't find this photo in the results, but there are a few results where I now have to wonder "Is that AI?"
This is one of the most interesting post I've seen, and that's the way people should work with AI. A brainstorming session, with background and references, with broad knowledge of the field, then with clear instructions on how to proceed, different designs, propositions out of the ordinary, etc
I've been doing that for the last six months and the results are more than spectacular for the apps I build
So no, 'create an inventory app' is not enough, you have to be specific in every sense, every detail of the tech stack, phases, checklists, roadmaps, decisions, everything that makes AI's life easier (less mistakes to make and fix) and yours too.
Next time, start with "Let's have a brainstorming session about an [inventory] app we will create and at the end write a very detailed prompt.md, here is the initial context... ask all the questions you may have before writing any code"
* Replace [inventory] with any other app you may need
And remember one thing, AI is a multiplier of both our intelligence and our stupidity, the outcome will reflect that
Ach, idk. On average people have horrible design aesthetics, yet are now so arrogant about it, because they feel confident in their newly found ability to spot it.
No, you silly geese. What you are able to spot is when somebody uses AI poorly and you think that's you developing taste. It's the equivalent of being able to tell something is photoshop because somebody used a default brush poorly, or masked something poorly, 20-30 years ago, and then concluding that it must be a Photoshop issue.
You have absolutely no way of telling when a good designer created something entirely using AI and that has always been true.
I find it kinda funny that even "smartest", most capable models often have a very hard time going beyond surface-level, top-of-mind associations, when faced with creative tasks.
Of course, a "Japanese Minimal Poster" has a sakura and a stylized flag of Japan, duh
A human designer would probably think that "Japan -> sakura" and "Japan -> Japanese flag" are way too obvious, too banal, too stereotypical, and, most importantly too boring. And then they would probably sit for a while and try to think of something fresher and less clichéd.
But AI has absolutely no problem with going with the cheesiest, most overused trope.
> But AI has absolutely no problem with going with the cheesiest, most overused trope.
Considering your prompt fits exactly that description I think the AI delivered perfectly. Try using some actual design language and see how well it does.
The thing is, they aren't creative. When I ask an LLM to go beyond the mean, it has no idea what to do and returns incoherance. Its responses seem to have N latent dimensions of information. But, the value of each of those dimensions is always the midpoint. With creative prompting, I can push it to respond in ways that go beyond the mean, but it can't tie them together cohesively. It doesn't have anything in its training data to fill the hole in space. No ability to extrapolate.
My point is that those kinds of prompts are dumb and I actually expect the model to produce slop. In programming we write these huge prompts that go into a lot of detail, and when we do that, it actually works. I've never asked a coding agent to go beyond the mean, that just sounds like a dumb thing to do. Apply this rule in design and I'm sure you'll get better results. Kinda what the blog post is all about.
Isn’t the most overused trope the most statistically weighted to be chosen from a group of options? It makes technical sense but as you say leads to boring outcomes
I see what you mean, but I think you can draw (no pun intended) a distinction between trope following and having a skill, or at least should notionally be able to.
Sure, but what's interesting is if you tell it to "behave unpredictably" or "don't use tropes" it usually fails down the same curve. Which is predictable, but telling.
I remember seeing a poster for Chinese New Year years ago, and someone had included the kanji for Japan on it (日本). Obviously they just wanted generic looking characters without bothering to see what they meant. I couldn't resist writing a comment on the poster about it.
It showed whoever did it had no clue about East Asia or Chinese script...
It’s not complicated - the default style signals low effort. Why should I get excited about the village fete if the organizers put in the barest minimum of effort?
But there’s another reason it drives people crazy - it’s low effort trying to present as high effort. If the sign was simple Comic Sans then it would at least be charmingly honest.
> Why should I get excited about the village fete if the organizers put in the barest minimum of effort?
Because there's no correlation between the ability to organise a village event and the graphic design skills. (Apart from "it's been so successful we can splash money on a design agency") Maybe someone actually liked it and thought it's enough. I've seen groups overthinking posters and it felt similar to groups at uni overthinking funny names instead of doing the work that actually mattered.
To be clear, I'm not saying those designs are good, just that most of the time the design is not the point and minimum effort above "Times New Roman 12pt" is what many people always wanted to do.
Graphic design skills don’t correlate with effort. I’ve seen terribly designed posters that the makers clearly put a lot of effort and love into because they loved whatever it was they were promoting.
I’ve also seen people put a lot of effort and love into poster and stuff because that interests them (doesn’t mean they’re good at it either), then the event is utter crap because they didn’t spend much time on the actual event.
The last paragraph in GP’s comment is the key. Nobody would care about a low effort poster, what they care about is the deception of pretending you put a lot of effort into the poster. It’s dishonest, and it would make me subconsciously question what else they’re being dishonest about.
I think this (low effort posters) rather signals to me that they have the right priorities. A true professional poster would tell me that it's some commercial cash grab instead of real local enthusiasts making something normal.
I am inclined to agree. Small community organisation cannot afford to pay a professional designer. They might be lucky and have a talented volunteer, but in general its a waste of limit resources.
You don't have to get excited by anything. You are welcome to boycott the village fête because you think they didn't put enough effort into their poster. Your choice, my friend.
> Why should I get excited about the village fete if the organizers put in the barest minimum of effort?
Beer? The first example is about a beer festival. People go there to drink beer, not to see posters. A blank piece of paper that says 250 kinds of beers would get more excitement than any AI or handcrafted poster.
I live in a village with lots of local events and I do not care about the design of the posters. I just care about what the event. I just want some information.
The author claims that the AI posters don’t have to be horrible, but fail to see that the dozen variations generated are not distinctive - they might have somewhat different typography or imaginary, but still have the same AI uniformity and smell as the crappy restaurant poster you see on the street. The core issue is not only technical, but also the lack of vision and imagination when creating art or even infographics.
The alternative is WordArt, or just black on white Comic Sans with some bolding and font size variations with bad ClipArt. These small scale events would never hire a professional.
I'm old enough to remember that people also complained about WordArt and Clipart and too many fonts etc.
I see the chatgpt poster style on many small-scale local village events also. But again, what they replace wasn't any better. It's not replacing some beautiful craft that existed before.
> I'm old enough to remember that people also complained about WordArt and Clipart and too many fonts etc.
We basically had two kinds of posters:
- those made by someone skilled/savvy (not necessarily a professional)
- those made by someone without skills/knowledge
The later were awful, in the sense that I would never display them in my home as a reminder of a an event I took part in.
But still, they were nice because you knew someone took the time to create them to promote an event and share the important information about it, and each person was producing their own awful posters.
Now with gen AI we have something filled with trash, everything looks the same, the important information is hard to find...
Sure, the variations offered in the article are a bit better and more opinionated, but they still reek AI conformity and I feel sick looking at them.
If I saw an Images 2.0 flyer in year 2020? In a world where Images 2.0 didn't exist? I'd be impressed. But if I see it now, today? I'm not impressed at all.
It's the same image, produced by the same AI and seen by the same person. So, what's the difference? What changed over time?
Saturation. "I've seen it all before." AI made that specific flyer style plentiful and omnipresent, and that made it "derivative" and "cheap". What used to invoke "cool" and "wow" was turned into a dreary cliche by repetition. Flaws that were easy to overlook when overshadowed by novelty stand out like a sore thumb now that you've seen them before in the same patterns many times over.
The image is the same - it has the same strengths and the same flaws. But your focus is shifted by familiarity.
It's the same mechanism that drives trends and fashion. AI just supercharges it.
Naturally, you can avoid a lot of it by using careful prompting and steering to guide an AI away from the "cliche" style-space. You can get something with both good quality and good identity that way.
But that requires: being aware of the problem, being really good at prompting, and putting in a considerable effort. It's hard to steer a model away from "AI cliches" if you don't have the eye to spot them in the first place.
Most AI-generated content doesn't have that kind of skill and effort applied to it - it simply uses the "model defaults", and gets the "model defaults". For all the good and bad that comes with those.
If you think about whether it is AI, are good at recognising those tells, an thinking about whether it is AI, then its probable you will spot things like that.
Most people are not that good at spotting those tells, and when looking at a poster they will not be thinking about whether its is AI or not. If its not obviously AI they are not going to even think about it.
Yes. That's the issue: we are looking at the same posters.
It's just that "seeing this poster for the first time, unaware of the workings behind it" is a very different experience from "seeing this poster after you already saw dozens of other AI generated posters that used a similar style and had similar issues, got canny at spotting both the style and the issues in it, and came to associate them with cheap low quality work".
The former impression is "wow that's a good poster". The latter impression is "ew, it's posterslop". The poster, in the meanwhile, remains the same.
AI can often win in art contests - images, short stories, design. But that requires either sharp prompting, or an audience that's not familiar with "AI cliches". The quality is, if removed from the context, fairly good. If embedded in context, it's utter slop. The work is the same. Funny how that works.
Yes, context matters. The greatest painting in the world is just crushed materials smeared on a canvas, it's nothing too special without the context.
A computer (not even an LLM, just something generating random pixels) could randomly generate the exact same pixel pattern as the greatest painting in the world, and it would not be the greatest painting in the world, because context matters.
If you read the article at all, the "everything looks the same" is easily fixed with just a tiny bit of effort.
It's not AI causing the sameyness and hard-to-read nature of these posters, it's people being lazy. I personally think there's a few nice looking ones in there (the punk fanzine style for one).
Sure it's not some 9/10 hand made poster, but considering these take 30 seconds to make, it's impressive.
> Sure it's not some 9/10 hand made poster, but considering these take 30 seconds to make, it's impressive.
It's not impressive. It would be impressive if a human did it, but a human did not do it. Is it impressive when a printer prints out 10 perfect copies of the same flyer, because it would be impressive if a human could do that? No, of course not. It's similarly not impressive when the copying machine makes a plausible copy of something a human once made.
Some level of uniformity is fine and indeed the norm. It was uniform back when posters were hand painted, eg 19th century world fairs or zoo openings or theater posters. They look pretty similar. Carneval posters looked similar.
The expectation of some kaleidoscope of styles is not really grounded in how things used to be ever.
Also, it's just nostalgia, just like how some young people now think audio cassettes and discmans are "cool" and have some revival, some are nostalgic for the back-in-the-day Word posters because "at least back then", but "these days" it's decline etc. Pretty sure in a few years people will be nostalgic for crappy AI slop of 2025-26 because their shittiness will feel like some charm compared to whatever the AI will be able to do.
I'm not sure about that. I, myself, am not skilled enough to make a nice poster, so when I needed one, I used to asked my skilled friends to do them for me.
But sometimes I also purposefully made myself some Comic Sans stuff, exaggerating them in every possible way, as a joke. And it was well received because people knew it was my own work and understood the joke.
If I made this today, it would not be seen the same. People would thought I'm trying to fight gen AI trash or I'm nostalgic of the past. While I'm just trying to make a joke by making something awful on purpose.
And I couldn't do the same joke using gen AI. The "on purpose" cannot be conveyed. People would just see gen AI trash.
I was one of those "skilled friends" that people go to, to make those posters in times of need back in school. And this was many years ago. Didn't enjoy it, but just did it as part of volunteering, or help the student community or a school club out.
Some people enjoy doing that work, but most people did not, and I was often the last resort because a random club or activity could not find suitable help in time. So had to step up when a friend or acquaintance asked.
I think there is some misguided view where in "the good old days" people designed everything by hand. From the perspective of someone who had to make 10-20 of those a year as a volunteer, I can say it came at personal cost, often caused distractions from the actual event, and there was not enough people who stepped up to get it done. If it was so enjoyable we would have no problems finding people doing the work and that was not the case.
The posters and designs were often rushed out late night by the closest person you can find who had a copy of photoshop on their computer. If we had AI back then, I would bet you 100% it would be the preferable solution and no one would bat an eye. It wasn't the type of work a lot of people wanted to do, could do properly and is willing to do for free, at their spare time, rushed for a deadline.
Making stuff that's bad on purpose is annoying, like acting retarded ironically. Make good stuff or just spend little effort. Putting in effort to look low effort is just trying to be special when you're not.
Sorry, but Walkmans and Discmans were considered cool... At the time.
Personally I like simple designs. I always remind people who make posters that whoever looks at them will only do so for a matter of seconds. If you want extensive detail, put it in smaller print. Put the main hook in large letters and a brief description.
But they became uncool when the iPod and mp3 players came out. Nobody felt sentimental about VHS artifacts either, and now it's a genz aesthetic or something. These things cycle, like I'm sure some old folks miss the radio hiss and listening to football matches with just audio.
I am somewhat tired of all the AI posters, but I have to agree with what you are saying. The alternative was not any better. I think there's a persistent and very vocal segment of the population that just want to complain about anything to do with AI with a take no hostage approach. Some instances are understandable but if a local small town event or a low budget restaurant using AI to make a poster draws so much ire, I feel that it may be likely misplaced personal frustrations projected towards others. The response don't seem to be proportional to the offence.
One of my favorite local ice cream shops uses Comic Sans (white on navy blue) on all their signage and this is one of the main reasons I frequent it. If they were to switch to some AI slop I wouldn't step my feet in there again.
In the examples above, that’s really your own loss? There will only be one or two events in your local village, it seems self defeating to ignore what they offer because you don’t like the medium. At least these posters are well laid out and easy to read.
God forbid some overworked volunteer make a poster in 30 seconds instead of taking a college course to please some huffy internet commentators with an axe to grind
> t still have the same AI uniformity and smell as the crappy restaurant poster you see on the street
You have really try hard to see that. It is good enough to not give immediate annoyed reflex of seeing something in the same ubiquitous default chatgpt style.
For goodness sake - these are just a fair posters.
It doesn't fail, it actually demonstrates how the model can improve the output if the prompt is better. AI generated websites look like crap because developers don't know any design language so they have no idea how to prompt the models to get something good and more unique and creative out of them. This shows that you can actually achieve that with just slightly better prompting. Just like with programming, actually.
Idk, those are more than alright to my eye. Surely they won't win any design awards, but as a throwaway poster for one time event these are miles better than any amateur work.
For me what always gives it away is not the posters themselves, it’s the context. These are all overdesigned for a local community fair. There is no way they’d be paying for a professional designer for this, therefore it’s AI.
On the other hand if it had word art, grammar/spelling mistakes, images with wrong aspect ratios or clipping issues, that would immediately convince me it wasn’t AI.
> but fail to see that the dozen variations generated are not distinctive - they might have somewhat different typography or imaginary, but still have the same AI uniformity and smell as the crappy restaurant poster you see on the street
Hard disagree: every single example TFA gives is way better than the horrible generic ones that are polluting every shop and LinkedIn post.
That's not what OP is complaining about. The issue with AI art isn't how the individual piece look, but the similarities they have in aggregate. One image can look perfectly fine, once you seen a hundred they all start looking extremely similar. Human brains are great pattern recognizer and lock on to those similarities, even when they are covered under different styles.
When all your art comes from a single source, it's difficult to create real diversity and novelty. That's still the big issue when it comes to genAI in general, without a lot of hand holding you'll just bound to end up with slop, since the AI won't get creative on its own.
Did you look at the examples? They're almost ridiculously diverse, and the prompts show very little handholding was required.
They're not novel, but a poster for a spring fair isn't supposed to look like a de Kooning.
These arguments are almost completely detached from reality. Most artists aren't diverse either - they're told to find a style and stick to it, and that's what they do.
Commercial graphic designers are more versatile, but the set of standard looks is still relatively small. Hollywood movie posters and book cover designers are notorious for reusing the same tropes and colour systems, and that's been true for years, long before AI was a thing.
> They're almost ridiculously diverse, and the prompts show very little handholding was required.
The structure is identically to all of that, big title, graphic, list with icons. As said, they look fine on their own, the problem is only becomes apparent when you had to look had hundreds or thousands of them. It's the em-dash or the "load-bearing" of the AI-art world, the more you look at this stuff, the more apparent the similarities become.
> Hollywood movie posters and book cover designers are notorious for reusing the same tropes and colour systems, and that's been true for years, long before AI was a thing.
Exactly, but with AI that issue becomes even more drastic since the models don't create diversity by default.
> Most artists aren't diverse either
They don't have to be, since there are millions of them, all coming from different backgrounds, with different art styles and all. While there are only a handful of big AI models, who all come with a pretty generic default style.
I am not sure. If something is not in the usual AI style its not going to leap out at you that it is AI the same way. Maybe if thought about it, but when someone looks at a poster they typically focus on the information, not the style.
Only at the first derivative. What you're observing is an additional layer of 'but, in genre X!' and then same slop, different prompt.
You're complaining about what happens when people don't even supply the additional layer, but just go 'make me a poster, no mistakes, it should be a great poster'. When you give no direction at all you get the purest of slop. You start giving directions, you start narrowing down the area you're digging through the slop of, and possibly you ask for something that people aren't familiar with and they're only able to identify that you asked.
Hence, Chinese posters with a cherry blossom and the kanji for 'Japan' and such. Someone went 'make it Chinese' and the slop associated it with 'Oriental' and what came out was collective unconscious, such that people who weren't thinking and didn't have experience might not look twice, but the meaning turned out tainted.
Sort of like food depictions that more closely resemble a pile of maggots. Those glisten! (well, I suppose they must.) There's a whole uncanny-valley thing that happens on every level and inspires revulsion. I'm suggesting that is still happening in the other examples but you've not got the experience to register their problems. With the food depictions, all animals eat stuff so we're hardwired to bounce off unsafe foods even if they glisten…
The variations the author generates are night and day better than the "piss filter" era slop in the first batch.
Some of them would have passed as intentionally crafted by a graphics designer before AI.
And let's not forget that before AI, many of these would be word doc printouts with clip art. The alternative wasn't hiring a designer - the alternative was doing nothing special at all.
I was honestly ok with the silly looking posters. Where I'm from in italy it's common to have sagre, sort of cheap food events sponsored by the municipality/local shops. Before ai the posters looked like each other (as in, poster typically looking like sagre posters). Now not even that, they're just slop ai that could be everything before you read. Nobody needed better looking posters in this case...
>The problem with these is not so much that they’re bad. They’re OK, I don’t love them. The problem is that once you’ve seen that style 20 times it starts to irritate just from the sheer repetition.
This is one of the better statements of the issue right here. I think because people dislike the actors and economics surrounding AI they also feel a need to categorically reject any of it's products, but it's not necessarily bad in the sense of poor aesthetic taste as it is bad in it's lack of a appreciating that being novel as a style matters almost as much as the actual style and direct repetition teaches us not to like the style itself.
The original posters were better than any of the mockups.
Not because they looked good, but because they used a design language that "at-a-glance" said what the event was.
Sure, the designers republic/etc looked less commonplace, but if I was looking for a fun local faire I would absolutely never notice those posters and if I went i'd assume it was a completely different type of event than it is (e.g. some sort of modern art faire).
Every one of those posters didn't fit the medium idea at all (local faire event) except the child's drawing one could maybe pass.
In fact I can almost guarantee that all the posters in this article would perform worse than the originals if you were to test them on the street or in a facebook group.
If you are an actual production/commercial designer, your first goal is to understand what the clientele wants and converts, secondarily make it beautiful.
This failed both, zero understanding of the purpose of commercial art (to speak to the actual clientele and bring in more people) and ugly within their own design language (but yes, less common).
Would have been interesting to try and make designs that actually make sense for this product AND are a bit less generic.
The only ones that aren't horrible manage that because they're so bland there's nothing to go wrong. Look at an example with some detail, the "Now please make one in the style of a 90s drum n bass gig flyer, with early 3D/fractal computer imagery" poster.
At the top of the page we have a deformed wireframe sphere. A wireframe sphere is stylistically appropriate, but the incorrect rendering is not. The "CGI" aesthetic requires obviously computer generated lines, which in the 90s meant accurate and regular lines.
Next we have a messed-up stellated polyhedron, and a messed-up dot pattern. These also fail for the same reason. The main 3D rendering is also obviously broken, as are many other small details.
But the biggest failure is the complete misunderstanding of the culture. 90s DnB was absolutely not about "good vibes". The smiley face logo is completely inappropriate; that's associated with late 80s/early 90s rave culture, pre-DnB era. 90s DnB was much darker and edgier in tone. The scene was almost exclusively male, and it maintained a aggressive vibe carried over from jungle.
A 90s DnB event would never advertise "bringing communities together". Audiences would be repelled by such messaging. This is despite it actually doing just that, as the scene was racially integrated in a way that mainstream music at the time was not. If there's going to be pro-social messaging on the poster it has to be there only implicitly.
I've been trying to help someone create publicity images (who can't afford to pay a designer). The biggest problem with AI is modification of input photos. The results are good, but still trying to get it to not "sloppify" the images.
What's interesting is that you can't do the same with long-form AI prose. You can ask any given LLM to write in different styles, but it will always fall back on the same rhetorical and structural techniques, so the "new style" is strictly surface-level. In fact, it's getting worse over time -- especially in Claude from Opus 4.6 --> Opus 5.
I suspect that the same thing is happening here -- as other comments note: lack of distinctiveness, uniformity -- but that the low information content of posters prevents it from becoming immediately obvious.
The similarity may be partly the image model's fault – especially if it's been post-trained/distilled towards performance, correctness and "quality" (for some value of "quality" anyway) which inevitably occurs at the expense of creativity and variation.
But I think it might be more about the LLM's lack of creativity in coming up with the prompt for the image (or "embellishing" a user's prompt), or directly the embedding vector if the LLM is itself the image model's text encoder. Then whatever the image gen outputs is simply an instance of the GIGO principle. It would be interesting to test whether similar cliches and motifs also occur if you ask the model to create an SVG rather than a raster image.
The thing about the icons next to each phrase is that they are useless. Forget how they look, instead ask why they are there? Icons in UX design give a visual representation of what a button does, to help people understand the interaction with the UI. Well, these are posters. There are no buttons. It shows a fundamental misunderstanding of why an icon exists in the first place. (And yes, this is true for many of the places where AI throws in icons.)
That is why, even if the look of a poster is OK, they are failures. Because they forget that the reason these advertising posters exist is to communicate something that is going on. A nice look to them is a bonus, not the core purpose. So claiming that AI isn't doing a horrible job is because the author is misunderstanding what the job is in the first place.
This is one example of how knowledge is still useful, even in the world of AI. If you know about different art movements, aesthetics, etc. you can prompt images using them, and make stuff that doesn't look like the generic slop that uses that recognizable round-corners style.
Buried at the end of the article the author linked a library of different art styles applied to the same poster content. Found some new cool art styles to try out in the future.
https://john.hartnup.uk/poster-prompts/
At a certain point, pottery that looked like a child made it became the high end, because well-executed pottery was coming out of machines.
We've officially reached that point with advertisements. Save your tokens. Hire your 9-year-old niece to draw the poster by hand and you'll likely get a far better reaction from most people. Nobody goes to a fair because the poster had a "modernist / Bauhaus-influenced graphic style".
I think there are sadly a huge number of people who don't care about art or creativity at all. They like the idea of AI and sterility and everything else. Increasingly these people dominate the economy because they are the most willing to hurt their fellow man in pursuit of status.
These people don't go to fairs, it's true, but they do bulldoze the fairgrounds to build a data center. To build a semblance of consent, they need to host brainwashing events like "fairs" and so on where they can propagandize and threaten citizens. They can't hire a local artist to advertise it, because literally none of them will do it. AI comes in handy when you're absolute evil.
> The problem is that once you’ve seen that style 20 times it starts to irritate just from the sheer repetition.
But that's how the algorithm behind LLMs functions. It simply cannot create something unique by stepping out of its existing knowledge base. It has to refurbish existing data, because, well, that's all it has.
One might argue that a human artist also is refurbishing data, made out of experiences and knowledge it has gather throughout its life.
The difference I think comes from something extra (that we're entirely dumb-founded on) that the human mind can contemplate and extrapolate from, to be able to generate something truly unique and different.
I hope (and believe) this extra magical capacity is what will not allow AI (at least in its current statistical form) to be able to match us in terms of creativity & uniqueness.
Now do this for science conference posters. There's something haphazard, unnerving, and uninformative about the AI-generated ones I am encountering increasingly. I imagine musicians feel similarly about AI-generated music and artists about AI-generated art because in all 3 cases, we're detail oriented.
For me it's about the unconventional analogies they try to express combined with their layout that even a couple crude 8.5x11 Excel plots and a poster author express better. And the human factor is an important component of poster sessions IMO.
Small businesses torching years and years of propaganda and goodwill lavished on them, so they can save the $50 it would cost to have a human design a decent-looking poster.
I think we're in the 'early digital camera' phase of AI art gen.
The real photographers knew they were shit photos. They were grainy, bad lenses, and ugly. A lot of people still liked them because they were much more convenient for a lot of uses than the film ones.
Well, I guess there's still a lot of film people. But film had a ceiling. Digital cameras kept getting better.
The adaptive film photographers eventually adopted the tool. A lot of their skills transferred well to the new medium. Most waited until the cameras got good enough, though.
I'm not sure when that'll be with AI art gen. Seeing scenes broken up into layers in the latest gpt image generation, though, made me think we might be near.
No, I’m not. Old digital point-and-shoots, and the harsh direct flash aesthetic, have been very popular. Some specific camera models that some random popular TikToker happened to recommend have been selling at quite a mark-up.
Two-ish decades is the standard length of a trend cycle. 00s is now retro in a cool way. Gen Z/Alpha, who have grown with phone cameras, want a different look, and having a real flash is particularly attractive because it allows taking reasonable photos in night clubs etc. Just like we did back in the day. (browsing old Facebook photos)
It’s the same cultural response as the analog movement. The collective sense that everything Covid on stole our future, and AI is only making it worse.
But the thing is, all have that icon+text style in the "tombola, cakes and drinks..." part. If I wanted to be distinctive, this is what I would have tried to get rid of at first, not the "visual style" (it's sort of like Windows XP visual styles, no matter how different they are the overall layout is still recognisably Windows).
although I guess it's that the author used the same context with the original generated image and thus it just reused that icon+text thing
but in general, these models do seem to be kind of just go for an information-dump type of style where its just listing everything and putting as much stuff in that is associated with the words, which is what these LLMs do
so you'd probably need to steer them heavily with explicit instructions on what to do and how to get rid of it, which I'd bet nobody will actually do when making these posters
Leaving aside the quality of the different posters here, I think the interesting question is where did the default AI generated style come from? It's certainly not one of the styles listed if you interrogate chatgpt, it's not something it seems to be choosing to do.
I think the signature noisy, crowded, HDR-y look shows these posters are being spat right out of a diffusion model. They always have an image background with the classic light halos around text.
When I one-shot a poster out of Gemini or whatever, I can't make anything nearly as bad as the ones I see every day. What on earth are people even using to make stuff that bad?
>Leaving aside the quality of the different posters here, I think the interesting question is where did the default AI generated style come from?
This is what I find interesting too. Claude’s writing style too. It’s quite unique and really bad. It’s not just mimicking something and it’s certainly not trained (intentionally) to write like that. So how does it converge there?
I was wondering that too - presumably they are all from the same image generator, but which one?
They are definitely all ghastly - way too busy for me to want to give a 2nd glance at them. Of the block of examples shown, the bottom right one on off-white background is a bit less visually objectionable than the others, but still gives me that AI slop vibe.
Generative AI is actually pretty good at giving you rough concept sketches and iterating on top of existing renders.
However, you must retain control over the scene graph and its composition. Use the output of the AI to guide how you work it. Do not assume the AI system has the ability to simulate world space with any meaningful fidelity. You can move transforms around in Blender and Unity with floating point bit increment/decrement operations if you wish. LLMs will never have this level of control.
Lighting systems are an entire universe of reasons you should do it the hard way too. Being able to iterate light placement and intensity with nanometric precision starts out looking like a brick wall, but it turns into a superpower once your scene is halfway decent.
I can usually tell when someone used AI to do things like generate steam store art because their camera doesn't change in a physically plausible way between the horizontal and vertical layouts. When you have access to the raw scene you can place the same camera in multiple orientations without altering any other aspect of the scene. The header capsule and vertical capsule are very difficult to make look coherent if you are using an LLM to generate these assets. Your best bet with AI art is to render something so big that it can be cropped for both, which is also quite obvious and ugly. Being able to instrument a scene as if it were a real place is way more productive than an LLM once the scene is ~done.
One trick that works from IRL is building a moodboard. Go to Pinterest, find what you like, paste it together.
If you're short on time, you can ask AI to summarize into a certain time and craft the prompt from there. But it's better to figure out what you really like.
ChatGPT tends to fall to the same things, but many of the other image generators do much better.
I see, across my city and others I visit, every bar/restaurant/etc now has low effort one shot posters, menus, etc, some with old chatgpt nonsense text / errors. It's everywhere. All that brown-ish hue food 'pictures' etc. I mean 'authentic Pizza napolitana!' and then an AI generated picture of said pizza... One of them (an Italy born Italian restaurant owner here) and he just said; people come in with the very expensive pictures / menus I had before and the same amount of people come in with these free ones. And he actually likes these better as photographing (real, not mcd/burgerking plastic props with poison paint to make it look better) food is hard, even when paid for.
Here in Bielsko Biala (southern Poland) I see the same in few pubs, never seen on menus though. Shops seem to be creating lots of marketing images as well with AI and it just looks...off. In any case doesn't make me want to enter the place.
AI is a tool, just like photoshop was. Just because someone bought photoshop didn't mean that they can magically create amazing digital artwork, they had to learn photoshop and also be creative. Otherwise it would have been a horrible poster with comic sans. Same goes for AI, one has to learn to use the tool and be creative.
What do we loose when we ditch generative AI? Easier poster making? What good does that do? So now pop&mom can have a poster in their shop that looks as if some graphic artist was paid for it, but wasn't. Will that drive the economy up? Improve poverty? Halt the war? Make life more tolerable? No, it just adds the pretense of having a professional designer, something that will quickly loose its added value when everybody does it.
That's true. Since ornamentation is effort-signaling, it may get dropped once it's cheap. Same thing that happened with clothing and home decor. The functional part may be beneficial though, even on utilitarian grounds. But yes, a lot of design is not about function but social signaling of taste and money as well as fashion.
You seem to think design is mere flourishing, nice colors to make something pleasant to look at, but ultimately superficial and useless. I would strongly object to that--visual presentation can carry a lot of additional information, and improve the transmission as well. Giving more people the ability to present information well leads to more efficient communication, which I wouldn't just dismiss this easily.
every one of them still reeks of AI. especially the trend of icons next to the activities (tombola etc). its just a reskin but they all look AI, just not that triggering minimum effort AI look that is everywhere.
Have you considered making the model leverage computer use via Work/Codex?
I'd imagine making the agents use the same tools that people utilize would greatly dial back how AI-generated these things look, and it would provide much better control too.
With Astra being genuinely much better at this, it should be more viable than ever.
This feels like an AI trap almost. A lot of the badness comes from people who don't want/can't put effort into it, so we all get a deluge of the sameyness.
Or is it? Could it be the well established low-effort tendency when the dominant culture is shopping centers, vehicles, similar eating establishments, and the style of suburban housing to a large extent? That would surely encourage the LLM to emit in a similar manner. That sameyness provides a signal of comfort and familiarity.
Designers republic and memphis were the only designs i couldn't immediately see were AI generated.
The only reason i couldn't tell memphis is because it's aping a known design language already, it's just a perfect copy so me not being able to tell it wasn't AI isn't a free pass in this case.
I think if there was a little less "grid" feeling to the layout details then i wouldn't be able to tell on a few of the other designs either.
Edit: the designers republic version is quite a lot different than the others, it's not just that it's the only design to avoid pairing every feature with an icon, it's the whole layout variety - there's different font sizes, the positioning of elements is very well done to my eye. I'm gonna say this has to be another case like memphis, there's some pre-existing design language that i don't know of and it's just aping that. It's much more human than the others which i can believe are straight ai.
They were/are not great. While I agree that spending extra 10 minutes improves the results, AI stuff are also not amazing. I think there's nothing surprising about this.
I like the other posters more, but the first poster probably still conveys the idea of the event better: people having fun, drinking beer, with a live band. You don't get that from most of the other posters unless you first mentally transform those icons into real things, which takes effort.
I'm starting to think that icons are in fact the low-effort way to convey information. It's design you can just throw in anywhere without adapting it to context (except for maybe changing color).
It's not that the first one is so awful in isolation, it's that they are everywhere you look when you walk down the street. The barbers, the school fête, the cafe, the church. Everywhere.
Word processors are designed to maximise readability, handling things like alignment and white space with zero effort from the user.
These posters don't have the feature of readability. They inconsistently apply the required design principles for this. Removing some of the clutter helps, but a WordArt poster from 1992 is still a better final product for the purpose.
Taking the last poster as an example (1940s cubist style), the graphic seems almost designed to draw your eye towards blank space. This, very precisely, detracts from the goal: the graphic is providing negative value!
Ah, I see that I've completed a full circle, sorry.
The original comment - that this article is a response to - was exactly that WordArt and Comic Sans, or even a piece of paper and a Sharpie, is better at doing the job of communicating the information.
I'm reminded of how Mac apps are supposed to conform to common UI standards rather than going off and reinventing the wheel. Also the Bootstrap template for websites.
Similarly, it would be nice if there were common styles for posters that you could just use and an AI could generate and nobody would criticize you for. Not everything has to be an original design.
At least the AI generated posters are better than human-generated t-shirt designs, where you find generic texts such as: "Est. 1984" (or any random year), "I [heart] NY", "Property of [City/School] Athletic Dept.", "Original Trademark", "Authentic Denim Brand", etc., etc.
I don't often say this but those jobs are ripe for replacement by AI. It won't do worse!
if NOT TRULY personal preference, then all those variations ARE horrible, but if they serve some taste--personal or marketing--then they are likely not to everyone's taste.
to me, they all look like lazy-prompting, which is the only way I ever do genAI imaging, because I fail to see why that "CPU" should be wasted on something I barely even care for.
That said ... let kids do that shit and pay them 50 or 100 bucks ...
The issue is that in my walled garden, I have not seen any of the good AI stuff. My wardens still use some home trained GPT 3.5 for most stuff, including their songs on potify and bootube. And i can't get access to current top level public AIs, either. Had the actual ChatGPT and Claude models for some while but I knew why ... otherwise I might put effort into semantics, syntax, grammar and my image generation prompts, which currently look like some MITM is speedrunning collages using haiku cowork and crayons or something ...
On design we have aesthetics but also legibility and usability.
For legibility: the first examples are bad because they fail to easily communicate what/when/where/details in a couple seconds, mainly because the profusion of visual clutter obfuscates the message. The latter examples fare much better on that regard.
Usability is a constraint maybe more applicable to websites like the discussion I saw the other day on the design of claude-written pages (all look the same, feels ok but good UX probably lacking).
For your basic words-and-dates-with-shapes-and-shit posters, the AI ones are annoying, but I’m not gonna die on a hill over it. The hill I _will_ die on is restaurants using AI generated images of food. No. That needs to be illegal. I thought it _was_ illegal.
Well, they're superficially less same-y, but none of them are really giving spring fair vibes.
Except for the "professional graphic designer has added typography to a poster paint drawing by his young child" one, I'd go as far to say that I actually like it, especially if you were to remake it with the assistance of an actual child.
I think this is a misdiagnosis of the problem. The AI posters are just fine, perhaps even pretty good.
The problem is that using AI to create the posters show a lack of willingness to put in effort, and it makes you question whether the producer cares about the product and whether they care about the large scale societal problems related to the usage of post-2022 transformer based neural networks.
Most fliers put together for community events pre-AI were Microsoft Word or Google Docs plus clip art.
The world is getting better, but before everyone realizes it we have to complain first and reminisce about the good old days of Wingdings and Comic Sans.
It’s actually very amusing to me comic sans is being referred to as “charmingly honest” on this forum, of all places. Shows how much this is all just aesthetic judgement and doesn’t have any connection to reality, just opinions. Before, comic sans was so low effort it earned scorn and derision. Now, it’s charming. Meanwhile, it’s actually the same amount of (low) effort as always. But for some reason now it has been elevated. Seen people say the same about MS paint drawings, and that’s when realized this isn’t serious at all.
Everyone is suffering and not getting what they want to some degree. Life is short, and opportunity runs out. People turn this into bitterness and direct it at external things that are going well that they're not a participant in.
It's not just AI, it's everything. Romantic rivals, celebrities, sports teams, fandoms, choice of IDE or programming language.
It's a social evolutionary strategy to neg and gossip about people and things you don't like or are jealous of. It's low energy, has little downside, and can reduce the fitness of rivals, especially when done in group settings.
The algorithm has co-opted this part of our primate brain and turned it into ad dollars. It's also twisted discourse to be sour and negative by default because it activates these perverse reward pathways.
Can someone post an event poster that they think is incredible? These posters all look fine to me, but the comments seem to know much better ones - but at least in my memory I can’t recall any much better.
It's pretty sad when you realize the average person is just kind of... unaware. They are fine with whatever, they don't really notice most stuff that goes around them.
It all reminds me of when Amazon website used to get laughed at but those who overweighted their design preferences. The first ai poster in the list look fine to me
I like this post. And the comments even more. I've rarely seen such a breath of opinions and analysis on HN. And it's all from a straightforward use case and a few examples. Is it HN tailored clickbaiting? If it is, it is the right kind.
> Go for a clean, unfussy, bright layout with a bold striking spring-themed graphic. Avoid pastel/airbrush/oil style art or images of people.
This seems to be the crux of the issue. It's not that the AI posters were bad, but has all the hallmarks of low effort. And if the organizer can't be arsed to put effort in their poster, why should anyone think it will be an event worth attending? The quoted prompt is not something someone can think of off the cuff. It requires someone who have seen enough posters to know what they would like and what not to put in. That takes effort. It's called AI slop not because it looks bad (though I do think it is), but no effort is put into them.
This article is doing the whole concept a disservice. It's still just randomly generating without thought; albeit maybe with a drop more taste than usual. (not a significant amount of taste, just a single drop).
The problem with a lot of AI is that the baseline is already past "good enough" for many folks.
But you can also imagine a very different approach:
Imagine if you start with a vision, and just happen to use AI tools as part of your process to realize that vision, just-like/along-with many other implements. I've seen examples where people put together many layers in photoshop or gimp, and mix with rendering, hand drawn art, photographs, etc. Very much like how some of the better programmers work with AI assist.
It's interesting how the negative examples all look like mobile game ads.
Which isn't an accident - mobile game ads are tuned studiously on consumers actual preferences and not the preferences of designers. i.e. the people that are likely to spend actual money on the product/service being advertised to prefer the ad being portrayed here as bad.
Bluntly, being able to sidestep the whims and fashions of graphic designers is proving to be a major feature of the AI revolution.
Their very first attempt is arguably the best one there. I was surprised they didn't like it much and kept going. Then the "Stamp / Letterpress Style (Modernised)" was the only other good one.
So of the two designs made, only two were good, the rest was quite bad and lost all meaning.
That post was written by a designer judging designs.
His attention is biased by the practice of seeing and understanding dozens of visual languages. But he doesn't understand that, unlike a painting, a poster isn't the purpose, the end. A painting in a museum exists for itself. A poster in a street exists at the service of a commercial message. The poster isn't the focus or the point, the message is.
He looks for visual languages, but most people would look just for information: what, who, where, when, why. If they need to spend more than a tenth of a second to decode the visual language of a poster then the poster failed.
There is a famous book on UI design whose title defines very well the design principle for things that should face the masses: "Don't make me think".
As a designer, the post author seeks the unexpected. Normal people just overlook and avoid it.
Normal people love the bland and repetitive precisely because it is familiar. That's the reason there are so many more McDonald's and similar franchise chains than fine French/Italian bistros and unique shops. That's why people listen to dumb pop and country music but not Stravinsky. That's why so many people watch Hallmark movies. People choose boredom because that's something they can easily understand.
Is there a way to formalize the space of all possible aesthetics a model knows, in a way that you could randomly sample from it?
The analogy in my mind when I read this post was: you are asking a machine to paint a color, but the machine always paints the exact same shade, deterministically; and you'd like to explore different colors, but somehow you don't know anything about colors, don't know any of their names. So you don't have the language to ask for what you can't name.
Random sampling of colors (without names!) is a solved problem, because we've parameterized the entire universe of colors that can be perceived. It's just a very low dimension manifold, and there's even a computable metric on it such that unit-distances in that metric are what humans say are color differences of equal step size.
Are there more general versions of this? Like: "Here's a list of every human art in history: infer a coordinate system that uniformly metricizes every art that can ever exist?"
The Designers Republic one arguably avoids it. Only one of its five is an icon: three are zero-padded numbers and one is a smudge where someone forgot to stamp the icon.
People dont want to write multiple prompts or write a lengthy one. They want to say create poster x for event y. That's it, that's what they get and that's what they take.
Most AI-generated art is "good enough" for most one-shot designs by now (though still not [always] as good as a good meat-based artist of course)
The problems right now are:
- Maintaining a consistent and coherent style/aesthetic when you have to generate lots of assets for something. For example sprites in a video game.
- Iterating over a design for more than a few passes. For some reason most models keep degrading the entire image if you keep asking for edits to a specific part of the image. Or, some problems are or become impossible for them to fix no matter how you prompt them.
But if a designer improves an AI design and I feel it's fine, does that make me strange? If you ran a blind test on this, I think it would come out with high preference...
Well, sometimes AI generates pictures that are not bad. Personally though I am tired of AI slop in general, and I don't want to support it. AI literally kills humans. In some scenarios AI is still useful (e. g. if you write a game, say, in javascript and you don't have any designers helping you out, you could generate images that don't suck, quickly, via AI) but other than that the less I get of AI the better. Google now has that problem with AI - tons of AI slop and fake videos. I realised the AI slop just wastes my time but Google does not offer a simple "do not show me any AI slop" videos. After all they want people to waste their time on youtube, by design. So I now waste my time twice by using Youtube, if I watch an AI slop video.
AI posters are not horrible, they just expose the person who "commissioned" them as trash. In a way, that is a good thing, since you can avoid them more easily.
But more importantly, if you aren’t the kind of person who could make a halfway decent text only poster before, you are going to make the posters at the top of the article. Those are objectively harder to read than something typed up in word.
You aren’t going to know to tell the AI to “ Go for a clean, unfussy, bright layout with a bold striking spring-themed graphic. Avoid pastel/airbrush/oil style art or images of people.”
That may be true if you’re working with a top of the line artist, but in my experience the average freelance designer online is significantly worse than AI. I’ve worked with dozens of budget friendly designers on Fiverr and consistently get way worse results than I’ve gotten from AI models. Will a great human designer produce better output than an AI? Maybe, but a small local event or business probably won’t have the budget to hire them or know where to find them. It’s cheaper, faster and easier to use AI to generate something that’s good enough for their purposes.
People also point out all the little flaws in the “good” examples and cite them as obvious tells that they were AI generated. I think it would be interesting to see if people could reliably distinguish between AI generated flyers and human made flyers. Sure, sometimes it’s obvious like when the AI adds those weird, cartoony people. But if the model is told not to create designs like that and stick to the styles used in the second half of the article, I expect people would have a much harder time distinguishing the human designs from the AI designs.
As he states, he isn't trying to make stuff that doesn't "look like AI did it," he just wants to introduce variety, and has proposed a disciplined way to do that.
[0] https://john.hartnup.uk/poster-prompts/
Amateurs posters of before AI didn't have this problem. White background, the important info in big letters, maybe one clipart or to. So I'm not talking about how pro artists could make a better job, but even the small local non-profit used to produce better posters. Not in the sense of "better looking", but in the sense that they were more readable.
At least the examples of this blog are more readable than what we usually see.
It's not tracking a real thing as much as people would like to think.
Now I’m not saying there isn’t legitimate criticisms that can be made about the ethics of AI, I’m highly concerned about the problems that AI brings too. But that’s a separate argument entirely.
It’s a little like people who are pompous about expensive wine, whisky’s, etc and then fail blind taste tests (plenty of studies there too).
They don't care about the truth, it's all just about being part of the right herd.
Every single person I’ve asked, and I’ve asked hundreds, say that knowing it was AI irrespective of anything else was enough to think it was bad.
There’s millions of genai images that people aren’t commenting on because they don’t know it’s AI.
Sadly, if it hadn’t gone on to DaVinci, I wouldn’t be sure.
Nice no true Scotsman fallacy. PS is a "real" artist tool.
It's not that you can't create good art with any tool, it's just that the economy and expectations change with the tools available, and the tools being faster/cheaper doesn't translate into better art.
To be precise, the tool and the artist are two different things. You can make crap with brushes or PS, and you can make art too.
AI is a tool too. What I build with it is orders of magnitude less important/interesting compared to what a talented artist can build with it.
Since this is idealogical, a business owner's choices are: * use AI and some people hate it on principle, don't use AI and don't pay enough and some people hate it because it looks cheap, don't use Ai and pay a bunch more and people don't hate it...maybe, depending on style and skill of the artist.
As a business owner, it's not an encouraging situation.
I suspect a lot of the gain isn't even that useful to the channel: it being people clicking to complain. You might not see that mean actual complaints because many will see the existing ones and either just upvote them or move on without doing anything (their chance to repeat their regular comment to get a few upvotes having been taken by someone already having said it).
Not a perfect analogy, but adding some bait that does indeed work for grabbing attention can of course be criticized.
Thumbnails, same as everything that is supposed to attract attention, have styles that change over time due to saturation and fatigue.
I think it's actually a feature when people can recognize it as AI.
Why would someone want it to be unrecognizable as AI? What is the reason people want to hide AI usage ? (other than when "cheating" in studies or examns or such, obv)
Both of these communicate that I will probably not get a good value for my money when buying your product or service.
Because a lot of “everyday” folks really strongly dislike AI. I’ve lost count of the number of AI generated Instagram ads I’ve seen where the comments are filled with “AI slop!”.
It’s not a positive signal for anyone who wants to persuade someone of the value of whatever they’re advertising because it’s associated with being cheap and lazy.
> About half of Americans said in the June survey that AI will worsen people’s ability to think creatively and form meaningful relationships with others. Far fewer said AI will make these things better.
https://www.pewresearch.org/short-reads/2026/03/12/key-findi...
“about half” surely objectively qualifies as “a lot”.
> I can also say "a lot of people really like AI-generated arts" and that would be true as well.
Yes but without the corresponding negative. If someone who likes AI generated art sees some human created art they don’t think “gross, why didn’t they use AI to do that?”. So for something like advertising using AI will alienate some potential customers. Not using AI will alienate no one.
Not to mention, there’s a reason why AI is seen as cheap and lazy… because it is! There’s no good parallel to vaccines here.
When it includes an American Flag with more than 50 stars + the bottom row is cut off, you know they didn't even bother to proofread it.
This is the kind of garbage we're suffering with.
The problem of AI generated stuff (we see the problem of manifests, but I'm a software engineer and with computer programs it's exactly the same thing) is that they immediately look non-human, and our brain trained itself to detect, and thus get irritated by, AI generated content.
It looks fake, it hurts to see, it seems fine at first glance fine but it's not, everyone seems identical because the AI is not, despite of the name, creative, it just a hyper complex copy/paste machine, and obviously the result just looks copy/paste as well.
FWIW, statements like this are so patently ridiculous that it actually hurts your cause.
Just admit that you are scared of the future that's coming and it's eliciting irrational hatred, and that's causing you to lash out. At least that'd be honest and we'd understand where your coming from even if we didn't share your views.
That stat sounds more than dubious. Do you have a reference for it that isn't published by someone with a vested interest in people using AI?
Outside of a small joy of the organizing committee, is an incrementally "better" (which is almost entirely subjective anyway) worth the trouvle?
I walk past countless of such arts everyday, none of them registered after even 15 mins. Maybe you have better taste, but don't try to project your opinion as that of the majority.
Saying you don't have the money for a designer is a bit like saying you can't go on business trip because the company can't afford to purchase a jet airplane right now.
I volunteered and designed a good amount of posters for student organizations.
Don't enjoy it but did it to help my peers and friends out.
I find it ironic that back then we had a lot of trouble finding people who were willing to design posters and promo media on print.
Now the comment section on this post has people mourning AI taking over poster making in 2026. Where was the help back then?
From the perspective of someone who had to burn the midnight oil to do it for years, trust me, I would rather not do it and spend that time with my family and friends. And judging from how hard it was to find others who were willing to do it, I think its a reasonable argument that most people were not actually willing to do the work either.
So mourn away but I wouldn't cry if I "missed out" on making posters. If we had AI back then, I would not take on any of those poster making requests.
I can totally see how doing more than a couple would start to feel like work, but having one or two experiences like that was awesome.
we should have asked the arts students! (and find a way to return the favor) i did not think about that.
that being said there were some intense rivalry between various studies, my presence may not be have been well received.
and judging how i am here, you can guess what i studied :-)
thank you for this. really feel like i got a missing piece of a puzzle reading this.
I don't see the word free here. Of course you'd have trouble finding people to do anything for free.
You don't have ANY money? Plenty of students would do a great job for a little money and a professional reference. Now you just helped the workforce, helped the local economy and cost you little.
but of course this means the entire market will dry up because no one pays students anymore
i think people can point those out pretty consistently for in-the-wild cheap posters, since the 2 types are often bad in different way
The author then picked them out, not the AI. For curiosity I assume.
This is funny to read given I am currently on a Japan trip with 3 friends and we actively avoid every small restaurant that have AI generated images of their food. Using AI generated bullshit just shows that you really dont want to put in the work to produce something actually charming. Hell, we've seen a food menu drawn by a toddler and it was infinitely more sympathetic than all the AI generated Wagyu images.
I just got back from a month there and recall perhaps 2 posters that may have been AI. I actually ran into several public art exhibits as well.
So you never actually walked the streets ive been in recently lol
But I recall this simple looking promotion: https://imgur.com/a/fbM8Akb . The photo looks professionally done, and not AI. Then again, maybe they googled for "cheesecake photo".
I just image searched for "cheesecake", I didn't find this photo in the results, but there are a few results where I now have to wonder "Is that AI?"
I've been doing that for the last six months and the results are more than spectacular for the apps I build
So no, 'create an inventory app' is not enough, you have to be specific in every sense, every detail of the tech stack, phases, checklists, roadmaps, decisions, everything that makes AI's life easier (less mistakes to make and fix) and yours too.
Next time, start with "Let's have a brainstorming session about an [inventory] app we will create and at the end write a very detailed prompt.md, here is the initial context... ask all the questions you may have before writing any code"
* Replace [inventory] with any other app you may need
And remember one thing, AI is a multiplier of both our intelligence and our stupidity, the outcome will reflect that
No, you silly geese. What you are able to spot is when somebody uses AI poorly and you think that's you developing taste. It's the equivalent of being able to tell something is photoshop because somebody used a default brush poorly, or masked something poorly, 20-30 years ago, and then concluding that it must be a Photoshop issue.
You have absolutely no way of telling when a good designer created something entirely using AI and that has always been true.
Of course, a "Japanese Minimal Poster" has a sakura and a stylized flag of Japan, duh
A human designer would probably think that "Japan -> sakura" and "Japan -> Japanese flag" are way too obvious, too banal, too stereotypical, and, most importantly too boring. And then they would probably sit for a while and try to think of something fresher and less clichéd.
But AI has absolutely no problem with going with the cheesiest, most overused trope.
If you named a Japanese artist or style rather than giving an adjective derived from a country, you might get something that wasn't national wank.
Yes, a human might do this step for you. A mediocre one might not.
An artist (even a mediocre one) almost certainly would do this step for you
Considering your prompt fits exactly that description I think the AI delivered perfectly. Try using some actual design language and see how well it does.
It showed whoever did it had no clue about East Asia or Chinese script...
But there’s another reason it drives people crazy - it’s low effort trying to present as high effort. If the sign was simple Comic Sans then it would at least be charmingly honest.
Because there's no correlation between the ability to organise a village event and the graphic design skills. (Apart from "it's been so successful we can splash money on a design agency") Maybe someone actually liked it and thought it's enough. I've seen groups overthinking posters and it felt similar to groups at uni overthinking funny names instead of doing the work that actually mattered.
To be clear, I'm not saying those designs are good, just that most of the time the design is not the point and minimum effort above "Times New Roman 12pt" is what many people always wanted to do.
Which could be an important signal for you to decide if that's the kind of event you want to go to. Maybe the comic sans fayre is preferrable to some.
Beer? The first example is about a beer festival. People go there to drink beer, not to see posters. A blank piece of paper that says 250 kinds of beers would get more excitement than any AI or handcrafted poster.
This week, I created a video for a personal project using AI.
And, as the creator, I honestly can not say if it's "slop or not."
So I created a "behind the scenes" page that shows the process I went through before final cut, warts and all. You can find it at https://alexisrondeau.me/mosey-site/making-of/
Do you think this helps you decide if it's slop or not?
No one is praising or collecting them. We just accepted that shitty poster exist.
Now some few people complain about ai slop at situations were no one cares and no one cared /shrug
I'm old enough to remember that people also complained about WordArt and Clipart and too many fonts etc.
I see the chatgpt poster style on many small-scale local village events also. But again, what they replace wasn't any better. It's not replacing some beautiful craft that existed before.
But still, they were nice because you knew someone took the time to create them to promote an event and share the important information about it, and each person was producing their own awful posters.
Now with gen AI we have something filled with trash, everything looks the same, the important information is hard to find...
Sure, the variations offered in the article are a bit better and more opinionated, but they still reek AI conformity and I feel sick looking at them.
I bet you would not feel sick if you didn't know ahead of time they were AI-generated. Some really are quite good.
If I saw an Images 2.0 flyer in year 2020? In a world where Images 2.0 didn't exist? I'd be impressed. But if I see it now, today? I'm not impressed at all.
It's the same image, produced by the same AI and seen by the same person. So, what's the difference? What changed over time?
Saturation. "I've seen it all before." AI made that specific flyer style plentiful and omnipresent, and that made it "derivative" and "cheap". What used to invoke "cool" and "wow" was turned into a dreary cliche by repetition. Flaws that were easy to overlook when overshadowed by novelty stand out like a sore thumb now that you've seen them before in the same patterns many times over.
The image is the same - it has the same strengths and the same flaws. But your focus is shifted by familiarity.
It's the same mechanism that drives trends and fashion. AI just supercharges it.
Naturally, you can avoid a lot of it by using careful prompting and steering to guide an AI away from the "cliche" style-space. You can get something with both good quality and good identity that way.
But that requires: being aware of the problem, being really good at prompting, and putting in a considerable effort. It's hard to steer a model away from "AI cliches" if you don't have the eye to spot them in the first place.
Most AI-generated content doesn't have that kind of skill and effort applied to it - it simply uses the "model defaults", and gets the "model defaults". For all the good and bad that comes with those.
Idk how to express it exactly, but I don't see how a human would have come to something like this
Most people are not that good at spotting those tells, and when looking at a poster they will not be thinking about whether its is AI or not. If its not obviously AI they are not going to even think about it.
And also it's not like I'm saying I love all the man-made posters. Or that I never been "fooled" by gen AI content.
It's just that as soon as I start seeing some gen AI tells on an image, I can't unsee them and I feel disgusted by it.
That's the problem.
Immediate glamor followed by gradual disappointment is AI output all over.
Pictures and pictures are the same thing.
You can't be serious... Are we looking at the same posters?
It's just that "seeing this poster for the first time, unaware of the workings behind it" is a very different experience from "seeing this poster after you already saw dozens of other AI generated posters that used a similar style and had similar issues, got canny at spotting both the style and the issues in it, and came to associate them with cheap low quality work".
The former impression is "wow that's a good poster". The latter impression is "ew, it's posterslop". The poster, in the meanwhile, remains the same.
AI can often win in art contests - images, short stories, design. But that requires either sharp prompting, or an audience that's not familiar with "AI cliches". The quality is, if removed from the context, fairly good. If embedded in context, it's utter slop. The work is the same. Funny how that works.
A computer (not even an LLM, just something generating random pixels) could randomly generate the exact same pixel pattern as the greatest painting in the world, and it would not be the greatest painting in the world, because context matters.
It's not AI causing the sameyness and hard-to-read nature of these posters, it's people being lazy. I personally think there's a few nice looking ones in there (the punk fanzine style for one).
Sure it's not some 9/10 hand made poster, but considering these take 30 seconds to make, it's impressive.
It's not impressive. It would be impressive if a human did it, but a human did not do it. Is it impressive when a printer prints out 10 perfect copies of the same flyer, because it would be impressive if a human could do that? No, of course not. It's similarly not impressive when the copying machine makes a plausible copy of something a human once made.
The expectation of some kaleidoscope of styles is not really grounded in how things used to be ever.
Also, it's just nostalgia, just like how some young people now think audio cassettes and discmans are "cool" and have some revival, some are nostalgic for the back-in-the-day Word posters because "at least back then", but "these days" it's decline etc. Pretty sure in a few years people will be nostalgic for crappy AI slop of 2025-26 because their shittiness will feel like some charm compared to whatever the AI will be able to do.
But sometimes I also purposefully made myself some Comic Sans stuff, exaggerating them in every possible way, as a joke. And it was well received because people knew it was my own work and understood the joke.
If I made this today, it would not be seen the same. People would thought I'm trying to fight gen AI trash or I'm nostalgic of the past. While I'm just trying to make a joke by making something awful on purpose.
And I couldn't do the same joke using gen AI. The "on purpose" cannot be conveyed. People would just see gen AI trash.
Some people enjoy doing that work, but most people did not, and I was often the last resort because a random club or activity could not find suitable help in time. So had to step up when a friend or acquaintance asked.
I think there is some misguided view where in "the good old days" people designed everything by hand. From the perspective of someone who had to make 10-20 of those a year as a volunteer, I can say it came at personal cost, often caused distractions from the actual event, and there was not enough people who stepped up to get it done. If it was so enjoyable we would have no problems finding people doing the work and that was not the case.
The posters and designs were often rushed out late night by the closest person you can find who had a copy of photoshop on their computer. If we had AI back then, I would bet you 100% it would be the preferable solution and no one would bat an eye. It wasn't the type of work a lot of people wanted to do, could do properly and is willing to do for free, at their spare time, rushed for a deadline.
Personally I like simple designs. I always remind people who make posters that whoever looks at them will only do so for a matter of seconds. If you want extensive detail, put it in smaller print. Put the main hook in large letters and a brief description.
??
The alternative is people just taking some markers & a sheet of paper, or chalk and a blackboard.
If you travel around east Asia you’ll be delighted by the variety and creativity of these handmade signs. Way better than anything produced digitally.
But of course their relationship to handwriting is completely different there compared to the west.
I would argue otherwise.
whereas before I'd take a glance and go "hm interesting" or whatever, with these its just "oh look, it's AI slop" and that's all I will notice
why do you think this is the reason?
should I be cheering and clapping when someone goes on chatgpt and say "make me a poster" and they think they're a genius when this slop comes out?
should I be complimenting these default AI slop posters or be feeling good about them?
I never felt this way towards low effort / simple posters before, I thought they were fine
You have really try hard to see that. It is good enough to not give immediate annoyed reflex of seeing something in the same ubiquitous default chatgpt style.
For goodness sake - these are just a fair posters.
On the other hand if it had word art, grammar/spelling mistakes, images with wrong aspect ratios or clipping issues, that would immediately convince me it wasn’t AI.
A twee handwritten sign for free range eggs at the roadside is likely to do well.
A handwritten sign for flying lessons on the other hand..
Hard disagree: every single example TFA gives is way better than the horrible generic ones that are polluting every shop and LinkedIn post.
It's not even close.
When all your art comes from a single source, it's difficult to create real diversity and novelty. That's still the big issue when it comes to genAI in general, without a lot of hand holding you'll just bound to end up with slop, since the AI won't get creative on its own.
They're not novel, but a poster for a spring fair isn't supposed to look like a de Kooning.
These arguments are almost completely detached from reality. Most artists aren't diverse either - they're told to find a style and stick to it, and that's what they do.
Commercial graphic designers are more versatile, but the set of standard looks is still relatively small. Hollywood movie posters and book cover designers are notorious for reusing the same tropes and colour systems, and that's been true for years, long before AI was a thing.
The structure is identically to all of that, big title, graphic, list with icons. As said, they look fine on their own, the problem is only becomes apparent when you had to look had hundreds or thousands of them. It's the em-dash or the "load-bearing" of the AI-art world, the more you look at this stuff, the more apparent the similarities become.
> Hollywood movie posters and book cover designers are notorious for reusing the same tropes and colour systems, and that's been true for years, long before AI was a thing.
Exactly, but with AI that issue becomes even more drastic since the models don't create diversity by default.
> Most artists aren't diverse either
They don't have to be, since there are millions of them, all coming from different backgrounds, with different art styles and all. While there are only a handful of big AI models, who all come with a pretty generic default style.
You're complaining about what happens when people don't even supply the additional layer, but just go 'make me a poster, no mistakes, it should be a great poster'. When you give no direction at all you get the purest of slop. You start giving directions, you start narrowing down the area you're digging through the slop of, and possibly you ask for something that people aren't familiar with and they're only able to identify that you asked.
Hence, Chinese posters with a cherry blossom and the kanji for 'Japan' and such. Someone went 'make it Chinese' and the slop associated it with 'Oriental' and what came out was collective unconscious, such that people who weren't thinking and didn't have experience might not look twice, but the meaning turned out tainted.
Sort of like food depictions that more closely resemble a pile of maggots. Those glisten! (well, I suppose they must.) There's a whole uncanny-valley thing that happens on every level and inspires revulsion. I'm suggesting that is still happening in the other examples but you've not got the experience to register their problems. With the food depictions, all animals eat stuff so we're hardwired to bounce off unsafe foods even if they glisten…
Some of them would have passed as intentionally crafted by a graphics designer before AI.
And let's not forget that before AI, many of these would be word doc printouts with clip art. The alternative wasn't hiring a designer - the alternative was doing nothing special at all.
Before ai example https://www.sagretoscane.com/sagre/fi/rignano-sullarno/sagra...
Post Ai example https://www.instagram.com/p/DZiKFZgIwcY/
Here's an article by the biggest online Italian newspaper, worth reading translated https://www.ilpost.it/2026/07/26/ai-locandine-sagre/
This is one of the better statements of the issue right here. I think because people dislike the actors and economics surrounding AI they also feel a need to categorically reject any of it's products, but it's not necessarily bad in the sense of poor aesthetic taste as it is bad in it's lack of a appreciating that being novel as a style matters almost as much as the actual style and direct repetition teaches us not to like the style itself.
Not because they looked good, but because they used a design language that "at-a-glance" said what the event was. Sure, the designers republic/etc looked less commonplace, but if I was looking for a fun local faire I would absolutely never notice those posters and if I went i'd assume it was a completely different type of event than it is (e.g. some sort of modern art faire).
Every one of those posters didn't fit the medium idea at all (local faire event) except the child's drawing one could maybe pass.
In fact I can almost guarantee that all the posters in this article would perform worse than the originals if you were to test them on the street or in a facebook group.
If you are an actual production/commercial designer, your first goal is to understand what the clientele wants and converts, secondarily make it beautiful.
This failed both, zero understanding of the purpose of commercial art (to speak to the actual clientele and bring in more people) and ugly within their own design language (but yes, less common).
Would have been interesting to try and make designs that actually make sense for this product AND are a bit less generic.
At the top of the page we have a deformed wireframe sphere. A wireframe sphere is stylistically appropriate, but the incorrect rendering is not. The "CGI" aesthetic requires obviously computer generated lines, which in the 90s meant accurate and regular lines.
Next we have a messed-up stellated polyhedron, and a messed-up dot pattern. These also fail for the same reason. The main 3D rendering is also obviously broken, as are many other small details.
But the biggest failure is the complete misunderstanding of the culture. 90s DnB was absolutely not about "good vibes". The smiley face logo is completely inappropriate; that's associated with late 80s/early 90s rave culture, pre-DnB era. 90s DnB was much darker and edgier in tone. The scene was almost exclusively male, and it maintained a aggressive vibe carried over from jungle.
A 90s DnB event would never advertise "bringing communities together". Audiences would be repelled by such messaging. This is despite it actually doing just that, as the scene was racially integrated in a way that mainstream music at the time was not. If there's going to be pro-social messaging on the poster it has to be there only implicitly.
I suspect that the same thing is happening here -- as other comments note: lack of distinctiveness, uniformity -- but that the low information content of posters prevents it from becoming immediately obvious.
But I think it might be more about the LLM's lack of creativity in coming up with the prompt for the image (or "embellishing" a user's prompt), or directly the embedding vector if the LLM is itself the image model's text encoder. Then whatever the image gen outputs is simply an instance of the GIGO principle. It would be interesting to test whether similar cliches and motifs also occur if you ask the model to create an SVG rather than a raster image.
That is why, even if the look of a poster is OK, they are failures. Because they forget that the reason these advertising posters exist is to communicate something that is going on. A nice look to them is a bonus, not the core purpose. So claiming that AI isn't doing a horrible job is because the author is misunderstanding what the job is in the first place.
We've officially reached that point with advertisements. Save your tokens. Hire your 9-year-old niece to draw the poster by hand and you'll likely get a far better reaction from most people. Nobody goes to a fair because the poster had a "modernist / Bauhaus-influenced graphic style".
These people don't go to fairs, it's true, but they do bulldoze the fairgrounds to build a data center. To build a semblance of consent, they need to host brainwashing events like "fairs" and so on where they can propagandize and threaten citizens. They can't hire a local artist to advertise it, because literally none of them will do it. AI comes in handy when you're absolute evil.
But that's how the algorithm behind LLMs functions. It simply cannot create something unique by stepping out of its existing knowledge base. It has to refurbish existing data, because, well, that's all it has.
One might argue that a human artist also is refurbishing data, made out of experiences and knowledge it has gather throughout its life.
The difference I think comes from something extra (that we're entirely dumb-founded on) that the human mind can contemplate and extrapolate from, to be able to generate something truly unique and different.
I hope (and believe) this extra magical capacity is what will not allow AI (at least in its current statistical form) to be able to match us in terms of creativity & uniqueness.
For me it's about the unconventional analogies they try to express combined with their layout that even a couple crude 8.5x11 Excel plots and a poster author express better. And the human factor is an important component of poster sessions IMO.
The real photographers knew they were shit photos. They were grainy, bad lenses, and ugly. A lot of people still liked them because they were much more convenient for a lot of uses than the film ones.
Well, I guess there's still a lot of film people. But film had a ceiling. Digital cameras kept getting better.
The adaptive film photographers eventually adopted the tool. A lot of their skills transferred well to the new medium. Most waited until the cameras got good enough, though.
I'm not sure when that'll be with AI art gen. Seeing scenes broken up into layers in the latest gpt image generation, though, made me think we might be near.
Two-ish decades is the standard length of a trend cycle. 00s is now retro in a cool way. Gen Z/Alpha, who have grown with phone cameras, want a different look, and having a real flash is particularly attractive because it allows taking reasonable photos in night clubs etc. Just like we did back in the day. (browsing old Facebook photos)
The stuff about "generations" and trend cycles is nonsense.
People were so proud to show off their colors that every single word was in a different color.
although I guess it's that the author used the same context with the original generated image and thus it just reused that icon+text thing
but in general, these models do seem to be kind of just go for an information-dump type of style where its just listing everything and putting as much stuff in that is associated with the words, which is what these LLMs do
so you'd probably need to steer them heavily with explicit instructions on what to do and how to get rid of it, which I'd bet nobody will actually do when making these posters
I think the signature noisy, crowded, HDR-y look shows these posters are being spat right out of a diffusion model. They always have an image background with the classic light halos around text.
When I one-shot a poster out of Gemini or whatever, I can't make anything nearly as bad as the ones I see every day. What on earth are people even using to make stuff that bad?
This is what I find interesting too. Claude’s writing style too. It’s quite unique and really bad. It’s not just mimicking something and it’s certainly not trained (intentionally) to write like that. So how does it converge there?
They are definitely all ghastly - way too busy for me to want to give a 2nd glance at them. Of the block of examples shown, the bottom right one on off-white background is a bit less visually objectionable than the others, but still gives me that AI slop vibe.
However, you must retain control over the scene graph and its composition. Use the output of the AI to guide how you work it. Do not assume the AI system has the ability to simulate world space with any meaningful fidelity. You can move transforms around in Blender and Unity with floating point bit increment/decrement operations if you wish. LLMs will never have this level of control.
Lighting systems are an entire universe of reasons you should do it the hard way too. Being able to iterate light placement and intensity with nanometric precision starts out looking like a brick wall, but it turns into a superpower once your scene is halfway decent.
I can usually tell when someone used AI to do things like generate steam store art because their camera doesn't change in a physically plausible way between the horizontal and vertical layouts. When you have access to the raw scene you can place the same camera in multiple orientations without altering any other aspect of the scene. The header capsule and vertical capsule are very difficult to make look coherent if you are using an LLM to generate these assets. Your best bet with AI art is to render something so big that it can be cropped for both, which is also quite obvious and ugly. Being able to instrument a scene as if it were a real place is way more productive than an LLM once the scene is ~done.
If you're short on time, you can ask AI to summarize into a certain time and craft the prompt from there. But it's better to figure out what you really like.
ChatGPT tends to fall to the same things, but many of the other image generators do much better.
But I'm convinced that just vetoing AI is to throw away the baby with the bathwater. So I set out to prove it.
I'd imagine making the agents use the same tools that people utilize would greatly dial back how AI-generated these things look, and it would provide much better control too.
With Astra being genuinely much better at this, it should be more viable than ever.
PS: Which then survives in the next iterations as "A day of music, making and family fun"
Edit: Ah just saw the call out on the previous iteration.
But still it's a nice display about the semantics encoded in the models.
The only reason i couldn't tell memphis is because it's aping a known design language already, it's just a perfect copy so me not being able to tell it wasn't AI isn't a free pass in this case.
I think if there was a little less "grid" feeling to the layout details then i wouldn't be able to tell on a few of the other designs either.
Edit: the designers republic version is quite a lot different than the others, it's not just that it's the only design to avoid pairing every feature with an icon, it's the whole layout variety - there's different font sizes, the positioning of elements is very well done to my eye. I'm gonna say this has to be another case like memphis, there's some pre-existing design language that i don't know of and it's just aping that. It's much more human than the others which i can believe are straight ai.
They were/are not great. While I agree that spending extra 10 minutes improves the results, AI stuff are also not amazing. I think there's nothing surprising about this.
I'm starting to think that icons are in fact the low-effort way to convey information. It's design you can just throw in anywhere without adapting it to context (except for maybe changing color).
These posters don't have the feature of readability. They inconsistently apply the required design principles for this. Removing some of the clutter helps, but a WordArt poster from 1992 is still a better final product for the purpose.
Taking the last poster as an example (1940s cubist style), the graphic seems almost designed to draw your eye towards blank space. This, very precisely, detracts from the goal: the graphic is providing negative value!
Whereas, genuine 1940s cubist art exhibition posters are really astonishingly good at communicating the key information. As one example, https://artposterarchive.com/products/edward-wadsworth-vorti...
The original comment - that this article is a response to - was exactly that WordArt and Comic Sans, or even a piece of paper and a Sharpie, is better at doing the job of communicating the information.
The AI obsession is ruining every conversation.
Similarly, it would be nice if there were common styles for posters that you could just use and an AI could generate and nobody would criticize you for. Not everything has to be an original design.
I don't often say this but those jobs are ripe for replacement by AI. It won't do worse!
to me, they all look like lazy-prompting, which is the only way I ever do genAI imaging, because I fail to see why that "CPU" should be wasted on something I barely even care for.
That said ... let kids do that shit and pay them 50 or 100 bucks ...
The issue is that in my walled garden, I have not seen any of the good AI stuff. My wardens still use some home trained GPT 3.5 for most stuff, including their songs on potify and bootube. And i can't get access to current top level public AIs, either. Had the actual ChatGPT and Claude models for some while but I knew why ... otherwise I might put effort into semantics, syntax, grammar and my image generation prompts, which currently look like some MITM is speedrunning collages using haiku cowork and crayons or something ...
Guess it’s subjective. I’m looking for fair info. He is looking for design uniqueness.
For legibility: the first examples are bad because they fail to easily communicate what/when/where/details in a couple seconds, mainly because the profusion of visual clutter obfuscates the message. The latter examples fare much better on that regard.
Usability is a constraint maybe more applicable to websites like the discussion I saw the other day on the design of claude-written pages (all look the same, feels ok but good UX probably lacking).
Except for the "professional graphic designer has added typography to a poster paint drawing by his young child" one, I'd go as far to say that I actually like it, especially if you were to remake it with the assistance of an actual child.
Times, dates, location, pricing, parking etc…
As he points out “it added a bunch of text…” now it’s one all the future designs. That’s great - is the text correct?
To be honest this was a problem before AI. People are not very good at communicating.
The problem is that using AI to create the posters show a lack of willingness to put in effort, and it makes you question whether the producer cares about the product and whether they care about the large scale societal problems related to the usage of post-2022 transformer based neural networks.
Do you only buy hand-churned butter?
Most fliers put together for community events pre-AI were Microsoft Word or Google Docs plus clip art.
The world is getting better, but before everyone realizes it we have to complain first and reminisce about the good old days of Wingdings and Comic Sans.
It's not just AI, it's everything. Romantic rivals, celebrities, sports teams, fandoms, choice of IDE or programming language.
It's a social evolutionary strategy to neg and gossip about people and things you don't like or are jealous of. It's low energy, has little downside, and can reduce the fitness of rivals, especially when done in group settings.
The algorithm has co-opted this part of our primate brain and turned it into ad dollars. It's also twisted discourse to be sour and negative by default because it activates these perverse reward pathways.
I really wonder what's going on in the minds of those who make the shitty AI posters? like, are they that unaware?
for me when I see them I just get instantly repulsed
Just like in engineering.
This seems to be the crux of the issue. It's not that the AI posters were bad, but has all the hallmarks of low effort. And if the organizer can't be arsed to put effort in their poster, why should anyone think it will be an event worth attending? The quoted prompt is not something someone can think of off the cuff. It requires someone who have seen enough posters to know what they would like and what not to put in. That takes effort. It's called AI slop not because it looks bad (though I do think it is), but no effort is put into them.
I guess it is like the early days of wordprocessing, where you saw Comic Sans everywhere.
The problem with a lot of AI is that the baseline is already past "good enough" for many folks.
But you can also imagine a very different approach:
Imagine if you start with a vision, and just happen to use AI tools as part of your process to realize that vision, just-like/along-with many other implements. I've seen examples where people put together many layers in photoshop or gimp, and mix with rendering, hand drawn art, photographs, etc. Very much like how some of the better programmers work with AI assist.
Which isn't an accident - mobile game ads are tuned studiously on consumers actual preferences and not the preferences of designers. i.e. the people that are likely to spend actual money on the product/service being advertised to prefer the ad being portrayed here as bad.
Bluntly, being able to sidestep the whims and fashions of graphic designers is proving to be a major feature of the AI revolution.
So of the two designs made, only two were good, the rest was quite bad and lost all meaning.
His attention is biased by the practice of seeing and understanding dozens of visual languages. But he doesn't understand that, unlike a painting, a poster isn't the purpose, the end. A painting in a museum exists for itself. A poster in a street exists at the service of a commercial message. The poster isn't the focus or the point, the message is.
He looks for visual languages, but most people would look just for information: what, who, where, when, why. If they need to spend more than a tenth of a second to decode the visual language of a poster then the poster failed.
There is a famous book on UI design whose title defines very well the design principle for things that should face the masses: "Don't make me think".
As a designer, the post author seeks the unexpected. Normal people just overlook and avoid it.
Normal people love the bland and repetitive precisely because it is familiar. That's the reason there are so many more McDonald's and similar franchise chains than fine French/Italian bistros and unique shops. That's why people listen to dumb pop and country music but not Stravinsky. That's why so many people watch Hallmark movies. People choose boredom because that's something they can easily understand.
Peopel are dumb, they don't want to think.
The analogy in my mind when I read this post was: you are asking a machine to paint a color, but the machine always paints the exact same shade, deterministically; and you'd like to explore different colors, but somehow you don't know anything about colors, don't know any of their names. So you don't have the language to ask for what you can't name.
Random sampling of colors (without names!) is a solved problem, because we've parameterized the entire universe of colors that can be perceived. It's just a very low dimension manifold, and there's even a computable metric on it such that unit-distances in that metric are what humans say are color differences of equal step size.
Are there more general versions of this? Like: "Here's a list of every human art in history: infer a coordinate system that uniformly metricizes every art that can ever exist?"
judgement + taste is the difference maker.
They are not OK.
I wasn't a fan of the Memphis one as it reminds me of the worst eighties and nineties designs.
I guess it works for the target audience.
The problems right now are:
- Maintaining a consistent and coherent style/aesthetic when you have to generate lots of assets for something. For example sprites in a video game.
- Iterating over a design for more than a few passes. For some reason most models keep degrading the entire image if you keep asking for edits to a specific part of the image. Or, some problems are or become impossible for them to fix no matter how you prompt them.
No, they aren't.
But more importantly, if you aren’t the kind of person who could make a halfway decent text only poster before, you are going to make the posters at the top of the article. Those are objectively harder to read than something typed up in word.
You aren’t going to know to tell the AI to “ Go for a clean, unfussy, bright layout with a bold striking spring-themed graphic. Avoid pastel/airbrush/oil style art or images of people.”